A recent career highlight for Borden was in Hawaii when she sat in at a local cafe. Everyone was loose and calm. All the musicians were great. When they played there were magical moments and they went off on a journey. This experience set a new standard for what an amazing experience is.
Borden began composing music in college as a percussion major at SF state. Every once in a while she wrote pop songs inspired my some romantic interlude or dilemma. When Borden was in the band Alive, she wrote two songs. When you're an improviser you're always composing but it's not written down. The most in-depth composing Borden has done is her last album, Beauty In the Beat. She recorded track over track and edited out what she didn't want and then went back and wrote out all the notes. Borden has also composed on two albums with Sheilah Glover using computers and some acoustic instruments. It was in 1989 with Cloud 9 Music when she first identified herself as a composer.
Borden commented that she doesn't attach much ego to composing. She always appreciates when music comes through her and she is able to capture it. Borden commented that composing is interesting right now. You just need your ears, all the tools they have allow you to cheat. Though she co-produces with Sheilah Glover, Borden considers herself an independent artist. Borden studied with many drummers and attended many performances and does not recall seeing many women drummers.
Vocalists are a big influence of Borden's. While in Alive, Rhianon, as well as Terry Garthweid and Sheilah Glover inspired her. Rumi poetry inspires her as well.
"Whatever gets
to my soul gets to my music, anyone who has loved me over the years, all
the friends who
have supported me. I feel really supported all my life, by people
close to me. I do not feel supported by the music
industry,"
She felt she had chosen a more artistic-off-the-beaten-path musicians track.
She sees herself as a barrier to her career. Her self confidence has
matured at age 52. She found it easy for her to be slowed down, but not
stopped, by negative critique; now she's learned to not take it personally.
She's had to prove herself over and over, because she is a woman
drummer. Borden said it can be a barrier to be a woman but sometimes
beneficial. At her age Borden knows what she will and will not do as a
performer. She no longer needs the critical, prove yourself attitude,
she
feels she has employed all her life. But she refuses to let her music
become passe she demands it be totally alive. Borden feels
successful knowing she gave her all, knowing people have connected
with her music, and when paid well. But above all her success hinges
upon caring and ful presence of mind.
Borden would like to be remembered as someone who loved life and
music and channeled her energies to both. As lover of a good time
and those along for the journey with her. Not to mention she
wishes to leave behind a legacy of great music. Lately Borden is
interested the great Jazz musician Bill Evans. Her impression of
him has changed since she listened to him at the age of 19. "I can't
believe he is dead because his music is so alive, all the musicians
I love who have died, I can turn on their music and they live on."Borden
exclaimed about Evans music. Borden accompanied one of his
recordings of bass and cello after the
interview, filling the room with an enigmatic joyous spirit
resonating from her drumming.
Alexis
Alrich || Barbara
Becker || Barbara
Borden ||
Wendy
Burch || India
Cooke || Beth
Custer
Melanie
DeMore || Eiko
DoEspirito-Santo || Shelley
Doty ||
Jewlia
Eisenberg || Claudia
Gomez
Brenda
Hutchinson || Kristi
Martel || Miya
Masaoka || Rebeca
Mauleon-Santana
Maggi
Payne || Wendy
Reid || Karolyn
Van Putten || Leslie
Wildman || Carolyn
Yarnell
Women
in Creative Music Homepage
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Last revised on 12/18/01 by A. Garcia