[NewMusic] art object and the object of art
Barry Threw
bthrew at gmail.com
Tue Feb 13 14:58:13 PST 2007
I can see how it would imply that although that is not what I meant to
imply.
I think the performance is valid, and critically important.
I understand the point you were making, and agree with it...I'm not sure
if you meant to imply that there was no difference or little in
conceptual art and music making. I think there is a clear difference.
I think this difference is so clear that I am not going to belabor the
discussion with an explanation. Let me know if I should.
Praemedia wrote:
>> The difference is, when you make other kinds of art
>> or music, you
>> actually make something. I do see this as important,
>> and not as simply
>> an issue of craft.
>
> This would imply that the recorded disc or the score
> is more important the performance itself. learning the
> craft of an instrument is a conceptual form as is the
> performance.
>
>> thing can exist, that the concept is as "physical"
>> and valid an object
>> as any "real" object. This is pretty much a
>> foundational building block
>> of any digital practitioner. However, in the event
>> that the concept is
>> as valid as a physical art piece, I re-ask the
>> question, Why is it
>> necessary to make any art or music?
>
> You'll have to explain what you mean by the "real
> object" in, for example, music.
>
>> reproduction. I
>> could see it now. Some asshole goes up on stage,
>> presses a button on a
>> casio, and looks very austere. By sheer hubris and
>> wordplay they
>> convince an audience that it is a worthwhile
>> statement.
>
> I would call his art "acting" or "politics" rather
> than music ... but none of it produces any "real
> object" so none of it's valid anyway I suppose.
>
> lance
>
>
>
>
>
>
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--
barry threw
composition : sound : programming
http://www.barrythrew.com
bthrew(at)gmail(dot)com
857-544-3967
Today, Noise is triumphant and reigns sovereign over the sensibility of men.
- Luigi Russolo, The Art of Noises
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