[NewMusic] Save Internet Radio
olorin at lmi.net
olorin at lmi.net
Thu May 3 23:46:47 PDT 2007
so let me weigh in here on this discussion, though i've certainly
never received royalties either for radio or internet play. i've only
tangentially explored internet radio through pandora which i found
pretty interesting overall. i've been reading various blogs about the
situation and signed the petition as well and i hope something can be
worked out.
this situation looks like a pure money grab on the part of
SoundExchange, until fairly recently part of the RIAA, the same
company responsible for shutting down illegal downloading of music in
various legal and not-so-legal ways. the RIAA has got just about the
worlds absolute worst reputation on the planet at the moment so any
company formerly affiliated with them i'd tend to look at with an
extremely jaundiced eye and a truckload of salt to boot.
the big deal with Sound Exchange is that they're now charging per song
and per listener, whereas with radio it's just per song. i don't know
what the copyright royalty rate was like before but to increase fees
retroactively between 3 and 12 times the original amount paid by the
station will put mid and small size for profit internet radio stations
like Pandora and Live 365 out of business, and i can't help thinking
that that's what the RIAA basically wants, to kill any possibility of
independent distribution dead.
except that's too glib of a situation. the real situation is more
complex than this. this copyright royalty rate relates to the rates
for a statutory license to play any RIAA artists' music on the
Internet. this is so the station doesn't have to go through red tape
asking permission of every artist on every label for an individual
license for a song. internet radio stations complain that this red
tape is too inconvenient but it strikes me that a simple web based
interface is all it would take to have an artist or a rep personally
approve the use of the license on the site. it would slow the process
of processing material for that site, but the result is that a license
fee could be worked out individually. the only issue is that fees
would very likely vary a lot.
there is of course the possibility that it could result in another
licensing organization outside the RIAA which would manage all of the
'indy' licenses for internet performance, but RIAA forbids any member
to use another licensing company which means the vast majority of
classic jazz and rock tracks would remain locked up due to the strong
- arming by the RIAA.
oddly enough i don't see it affecting the experimental scene all that
much. i think very few experimental labels are members of the RIAA and
since there's not much money to be had from that sector i think it
will largely get ignored.
however finding stations (radio and internet) to play the music to
potential buyers will become more difficult as larger independent
websites shut down operations or redirect their energies to safer
possibilities. it's quite possible at that point that the companies
could end up being bought by a larger conglomerate.
i am certain that some large companies will benefit from overturning
the fee, but a lot of small and mid size companies will continue to
flourish alongside and that's a good thing. SoundEXchange seems to be
saying theat they're sticking up for the 'little guy' the artist's
rights, but what they really mean is we want our 95/5 split (95 for
them, 5 for the artist).
anyway that's my .02
scott
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