[NewMusicEvents] Pamela Z summer workshop SoundWORK
Pamela Z
pamelaz at pamelaz.com
Sun May 11 22:15:57 PDT 2008
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SoundWORK
instructor: Pamela Z
Tuesdays July 1-August 12, 2008 6pm-9pm
A seven-week sound and performance workshop exploring experimental
music, audio art, and interdisciplinary performance practices.
Participants will be exposed to the work and ideas of new music
composers and sound art practitioners, receive hands-on instruction
with tools (software, hardware etc) and techniques for the creation
of sound and performance works, and create and present works of their
own.
The workshop will meet weekly for group sessions which will include
lecture/demonstration and group listening and performance activities.
There will be weekly assignments to create small works based on
principles covered in the sessions, and a final meeting in which
participants will each present a final project – a recorded or
performed sound work, experimental music composition, or sound
installation.
Participants will also sign up for private sessions for individual
help with sound recording and editing software and equipment, and
help with planning, composing and creating works.
Drawing on her own experience as a composer and performer of
experimental music, sound, performance, and installation works, and
the works of other notable artists in this broad-ranging field,
Pamela Z will present sessions exploring elements of sound, and
expermimental music including the use of sound in performance, sound
with image (video & film), experimental composition techniques, the
use of sampled sounds, found text and found objects, electronic
processing of voice and other acoustic sound sources, synthesized
sound, digital sound recording and editing, and the physics of sound.
Participants will also receive a comprehensive list of recommended
reading, listening, and viewing in addition to works presented in class.
SoundWORK will meet Tuesday nights July 1- August 12, 2008 6pm-9pm at
Royce Gallery, 2901 Mariposa Street (with additional sign-up hands-on
sessions in Pamela Z's nearby studio.)
For workshop and enrollment information, email soundwork at pamelaz.com
or call 415 861 EARS.
Or enroll now through PayPal: http://www.pamelaz.com/swsummer08.html
Full workshop price $350
(workshop without private hands-on: $275)
(some scholarships available)
Pamela Z is a San Francisco-based composer/performer and audio artist
who works primarily with voice, live electronic processing and
sampling technology. She creates solo works that combine operatic bel
canto and experimental extended vocal techniques (processed in real
time) with found percussion objects, spoken word, and sampled
concrète sounds. These sounds are often triggered via custom MIDI
controllers such as Ed Severinghaus' BodySynth™ or Donald
Swearingen's Light SensePod, both of which allow her to manipulate
sound with physical gestures. Her performances range in scale from
small concerts in galleries to large-scale multi-media works in
flexible black-box venues and proscenium halls.
Pamela Z has toured extensively throughout the United States, Europe,
and Japan. She has performed in numerous festivals including: Bang on
a Can at Lincoln Center in New York; the Interlink Festival in Japan;
Other Minds in San Francisco; and Pina Bausch Tanztheater's 25 Jahre
Fest in Wuppertal, Germany. She has composed, recorded and performed
numerous original scores for choreographers and for film/video. Her
large-scale, multi-media performance works, Parts of Speech, Gaijin
and Voci, have been presented at venues including the Kitchen in New
York, Theater Artaud and ODC Theater in San Francisco, the Museum of
Contemporary Art Theatre in Chicago, as well as at theaters in
Washington D.C. and Budapest Hungary. Her one-act opera Wunderkabinet
(inspired by the Museum of Jurassic Technology and co-composed with
Matthew Brubeck) premiered in 2005 at The LAB Gallery in San
Francisco, and was presented at REDCAT in Los Angeles and Open Ears
Festival in Canada. She has had audio and video works included in
exhibitions at the Whitney Museum of American Art in New York,
Recombinant Media Labs in San Francisco, the Erzbischöfliches
Diözesanmuseum in Cologne, the Tang Museum in Saratoga Springs NY,
and the Dakar Biennale in Sénégal. Her work has also been presented
at the San Jose Museum of Art, El Museo del Barrio in New York, and
La Biennale di Venezia in Italy.
Ms. Z has been commissioned to compose works for new music chamber
ensembles: the Bang On A Can Allstars; Ethel, the California E.A.R.
Unit; the Left Coast Chamber Ensemble; and the St. Luke's Chamber
Orchestra. Since 1986, she has been producing “Z Programs”, an
ongoing series of interdisciplinary events in which her own work has
been featured along with that of other experimental artists in
various genres. She has collaborated with a wide range of composer/
performers, media artists, and choreographers including Miya Masaoka,
Joan Jeanrenaud, Jeanne Finley + John Muse, Shinichi Momo Koga, Leigh
Evans, and Jo Kreiter. She has participated in several Zakros New
Music Theatre events (including their John Cage festivals), and has
performed with The San Francisco Contemporary Music Players. Pamela
is the recipient of numerous awards, including: the Guggenheim
Fellowship, the CalArts Alpert Award in the Arts; the Creative
Capital Fund; the ASCAP Music Award; and the NEA and Japan/US
Friendship Commission Fellowship. She holds a music degree from the
University of Colorado at Boulder. For more information, please
visit: http://www.pamelaz.com
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